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Friends of VeraCello

There's so much...

  • "There's so much in [the book] to admire, I like how you've included lyrics to some of the popular tunes, great idea, really helps to capture the emotional intention of the song. And your writing style is calm and encouraging, really nice to read."
    - Eugene Friesen
    Celloman and member,
    Paul Winter Consort

I'm sure this book...

  • "I'm sure this book would be of great value to music lovers who, in later life, would like to learn how to play the cello. Your idea that the cello can be enjoyed on a simple level even within a few weeks of study is very true, and often not considered. This book will bring the joys of cello playing to many people who would not have believed it possible."
    - Aaron Minsky,
    VonCello

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  • Website Copyright 2007-2008
    Vera Mattlin Jiji, Ph. D.
    All Rights Reserved
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    Vera Mattlin Jiji, Ph. D.
    ISBN 1-4120-9560-3
    Trafford # 06-1315

Main | Obtaining a Cello and Bow »

November 05, 2007

The cello is becoming hip!

We know it, and now others are making the same discovery:

“It’s hip,” says Jenkins, 31, about being a cellist in Portland. “It’s super-hip. The second people find out I play the cello, it’s like, ‘Hey, want to play on my record?’”

As Jenkins tells it, Portland’s cello community is on the rise. Bands like his own chamber-rock quintet, Bright Red Paper; WW’ s 2007 Best New Band runner-up Horse Feathers; and folk-rock outfit John Weinland have all been seen cavorting with the Portland Cello Project, a collective of local cellists that’s turning the traditional concept of orchestra performance on its head.

The Secret Musical Lives Of Hipsters

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